‘Metropolitan’ by Walter Jon Williams

I discovered Metropolitan completely unexpectedly while browsing the (somewhat sparse) science fiction and fantasy section at my local public library.  I had heard of Walter Jon Williams, but had never read any of his work.  After reading the jacket copy and deciding that this book seemed written just for me, I borrowed it.  What followed was one of the most entertaining reading experiences I’ve had in years.  It’s possible that some of my enthusiasm is due to the surprise factor — I never expected to come across a great book so accidentally.  Williams’s creativity and originality make it easy to praise him, however.

The setting of Metropolitan is a world city (a planet entirely covered in cityscape) that may or may not be a future/alternate Earth, that functions almost entirely on the production and retrieval of plasm, a magical “geomantic” energy source drawn from the planet through the geometric placement of manmade structures.  In other words, the structure of the world city itself, the way its buildings are designed and laid out, converts latent energy into power.  The world economy (both white markets and black) is based on its purchase and sale, and plasm is expensive.  Though everyone has access to it, only the very rich can afford the fees.  Plasm can be channeled by mages to telepathically project their minds to other places, create, alter, or destroy physical matter, and even to teleport.  It is tapped like electricity and governed by the Plasm Authority, essentially a utility company that also enforces penalties for plasm theft.  The book is written from one main character’s point of view, that of Aiah, a Barkazil woman who works a dead-end job at the Plasm Authority and often wonders what her life would be like if she had the resources to get a degree in plasm use.  Aiah is a clever, adventurous character, one who is pleasantly honest and comfortable with moral ambiguity, particularly if the ends justify the means.  The book begins when she finds a hidden plasm source that opens a door into a larger world than she ever dreamed of.

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‘Leviathan Wakes’ Is Space Noir Awesome

James S.A. Corey’s Leviathan Wakes is a debut novel in name only (James S.A. Corey is the pen name of Daniel Abraham and Ty Franck; Abraham has authored two epic fantasy series and an urban fantasy series under yet another pen name, and Franck is the author of published short stories and assistant to George R.R. Martin), but it’s as impressive as any I’ve encountered.  Book one of a planned trilogy entitled The Expanse (with possible future books to follow if the series proves successful), Leviathan Wakes is a perfect harmony of genre: a strong main space opera theme supported by elements of noir fiction and horror.

Set a few hundred years in the future when humanity has colonized the solar system (but not the stars), the story follows two viewpoint characters (not counting those in the prologue and epilogue), Miller, a down at the heels detective from Ceres station (an asteroid space station in the asteroid belt), and Holden, the executive officer of a space freighter.  Corey wisely steals from George Martin (who stole in turn from William Faulkner) the narrative technique of structuring the novel in alternating viewpoint chapters titled with the corresponding viewpoint character’s name.

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Brett Finds Balance in Debut ‘The Warded Man’

Published in the US in 2009, Peter V. Brett’s debut novel The Warded Man (titled The Painted Man in the UK and elsewhere) was released to broad acclaim, considered one of the best debut novels in years.  I’ve become somewhat cautious about epic fantasy in recent years.  I have less time to read than I once did and I fear, perhaps irrationally, getting bogged down in a mediocre series that the completist in me will feel obligated to finish.  I often find myself waiting until the hubbub dies down before reading a well-received book.  It avoids the possibility of being caught up in fan fervor (which I am vulnerable to when it comes to fantasy), and I find I am able to keep a more level head that way.

When I finally picked up The Warded Man, I had no preconceptions of it, which meant I had accomplished my goal of avoiding hype.  What I found was a strong, if flawed debut novel that strikes a refreshing balance between the classic elements of fantasy and the newer, darker trend the subgenre is currently riding.

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To ‘Count to a Trillion’…Is Hard

The term “space opera” doesn’t really encompass what John C. Wright’s novel Count to a Trillion is.  I read more fantasy than science fiction, generally speaking, and so when the craving for some space opera struck me recently, this book had two things going for it: (1) it was new, and (2) it appeared to be a stand-alone novel.  I wanted to get a sense of where the genre was at, but I didn’t want to get involved in an unfinished series by an author I was unfamiliar with, given that I was sneaking this onto the top of a long reading list.  More on my hesitation about getting into new series later.

Count to a Trillion contains more fascinating ideas than any five books of its kind, and as such it is brilliantly flawed, because the narrative is so over-flowing with pure scientific spitballing that the actual story often gets lost completely.

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What Modern Fantasy Writers Could Learn from ‘A Princess of Mars’

There’s a reason that most, if not all, of Edgar Rice Burroughs’s oeuvre is described as “action-adventure.”  You’d be hard-pressed to find a single chapter of A Princess of Mars, the first book in his famous Barsoom series, that doesn’t have at least one sword fight or battle.  It’s no accident that Disney decided to mine the novel (now in the public domain) for its forthcoming CGI blockbuster John Carter.  The story begs to be adapted into a movie.  A Princess of Mars, first published in 1912, begat and still typifies the “Sword and Planet” subgenre of Science Fantasy (according to Wikipedia’s taxonomy).  Wikipedia describes Sword and Planet as being classified by stories in which

the hero is alone as the only human being from Earth, swords are the weapon of choice, and while the alien planet has some advanced technology, it is used only in limited applications to advance the plot or increase the grandeur of the setting. In general the alien planet will seem to be more medieval and primitive than Earth. This leads to anachronistic situations such as flying ships held aloft by anti-gravity technology, while ground travel is done by riding domesticated native animals.

Burroughs’s work spurred countless imitators and influenced other sci-fi greats such as Ray Bradbury, who cited the Barsoom series as an influence on his later Martian Chronicles.

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Butcher’s ‘Fool Moon’ Isn’t Full

I’m new to the Harry Dresden craze.  So far, the Dresden novels seem to satisfy the same kind of craving that a burger and fries do: a need for hot, deep-fried fat, instant gratification, and reassuring familiarity.  If epic fantasy is the high literature of the genre, urban fantasy is the beach reading: Jim Butcher is to fantasy as Dan Brown is to mainstream fiction.  And I say that here as someone who enjoys reading Dan Brown books, as undeniably insipid as they are.

I enjoyed Storm Front, the series’ first book, quite a bit, and I read it straight through fairly quickly.  My reading of Fool Moon was a little jilted: between work and Skyrim, it took me a couple of weeks to get through it.  Harry Dresden’s second outing returns the reader to the comfortably exciting world of a paranormal Chicago as seen through the hard-boiled eyes of the city’s only professional wizard.  Rather than a rival sorceror, however, this time Harry’s up against werewolves.  Several groups of them.  And they all want a bite out of our favorite magical gumshoe.

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Jim Butcher’s ‘Storm Front’ Really Satisfies

When you get recommendations from several, unrelated sources, repeatedly, you start believing that they must be true.  After years of being told by my wife and several friends that I needed to read The Dresden Files, Jim Butcher’s series of urban fantasy mystery thrillers, I finally bought a copy of Storm Front on Audible and listened to it over a few days’ commute to work.

Storm Front is, in many ways, the first of its kind: a forerunner of the urban fantasy craze that I was always wary of and in which I am still poorly read.  The premise of Storm Front and The Dresden Files in general is Raymond Chandler meets fantasy — a surprisingly natural crossing of classic detective fiction with the all of the aggregated trappings of wizardry and magic to be found in the world of fantastical fiction.

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‘The Jedi Path’: The Perfect Holiday Gift for the Star Wars Fan in Your Life

The holidays make me think of my favorite books and movies, for some reason; maybe it’s the magic in the air, or maybe it’s a necessary bit of escapism during a hectic season, but there’s nothing I enjoy more during the Christmas season than sitting down with a good fantasy book or a great sci-fi movie.

My wife and I are expecting our first child, and despite the fact that it’s probably too early to be doing a ton of book shopping, we couldn’t help but pick up a few books for the baby recently.  Wandering through the children’s book section of our local bookshop, I came across The Jedi Path, written by an uncredited Daniel Wallace.  The book’s subtitle, “A Manual for Students of the Force,” is accurate: it’s a fictional textbook for students of the Jedi Order.  Even better, it’s intended to be an old, used textbook of the Jedi Order, and is filled with colorful inscriptions from all of its past owners, including Yoda, Obi-Wan Kenobi, Anakin, Luke, Ahsoka, and more.  The book succeeds because it takes itself seriously: it presents the tenets of the Jedi calling with respect and reverence, and doesn’t pull any punches.  It will be years before my son’s old enough for any of it to really make sense to him, but I look forward to reading him to sleep with it.

It’s the perfect stocking stuffer for the Star Wars fan in your life, young or old (it doesn’t write down to children), and the deluxe “Vault” edition would take a place of honor under the tree (or menorah, or Festivus pole, etc.).  Give your family the gift of the Force this holiday season.

Putting Down ‘Jonathan Strange & Mr. Norrell’

I put down Jonathan Strange & Mr. Norrell today.  For good.  Let me give you a little history.  I’ve had the book on my shelf since 2005, when it was published.  I tried to read it back then, unsuccessfully.  I tried to read it again recently, and got 300 pages into it this time before admitting to myself, guiltily, that I simply found it boring.

This is not a review of Jonathan Strange & Mr. Norrell, because you can’t properly review a book without finishing it.  However, it is a brief summary of the problems I had with the novel up to approximately page 300 in the hardcover version.  It is also a brief exploration of the larger question: when is it time to simply admit defeat, put the book down, and acknowledge that you just don’t like it enough to finish it?

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Richard Morgan’s ‘The Cold Commands’

Richard Morgan has a rare but precious talent as a writer: the ability to redefine, expand, and perfect literary genres.  Better known for his Takeshi Kovacs books, a series starting with his 2002 debut novel Altered Carbon, Morgan started right out of the gate with a unique,  engaging literary mashup.  He described the Kovacs novels in a 2008 interview with The Book Swede as:

“Fast forward, furious future noir with a cinematic bent. Think The Big Sleep, The Good, the Bad and the UglyKelly’s Heroes, The 39 Steps, North by North-West, all wrapped up in the glittering post-cyberpunk heritage of William Gibson and Bladerunner. With an admixture of underlying political rage, and a seasoning of space opera alien expanse. Something for everyone, really.”

His description is apt.  In 2008, Morgan began his first foray into fantasy with A Land Fit for Heroes, a planned trilogy beginning with The Steel Remains, a successful first fantasy novel that not only continued his paradigm-shifting influence on genre but cemented him as an important member of fantasy’s new guard.

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