The Walking Dead: ‘Better Angels’

So Shane’s dead.  Yeah, yeah, spoilers, blah blah blah.  The penultimate episode of Season 2 of The Walking Dead was surprisingly good, due mostly to the ending.  The tension between Rick and Shane came to an abrupt climax when Shane saw the opportunity to solve the (prisoner) Randall problem and his Rick problem in one fell swoop.

I liked that over the past few episodes the writers built a false sense of security in the Shane/Rick relationship: after the fistfight in Episode 10, “Eighteen Miles Out,” we thought there might be a possibility of reconciliation.  Even when Shane started agitating for a harder line about security, we thought that at most there might be a leadership struggle, maybe an outright mutiny.  But Shane’s decision to arrange the cold-blooded murder of his best friend was a surprise, despite the fact that in hindsight it makes sense.  I figured Shane would get killed off at some point, since in the comics he dies relatively early on.  It’s sad to see a favorite character go, but this also means that the themes and plot devices of this season have been fully played out, and the story will have to evolve and continue in a different way now.  New conflict will need to be established.  And with the tide of walkers approaching the farm (rather arbitrarily, don’t you think?), we’ll see whether they group ends up staying or going.

The Walking Dead: ‘Judge, Jury, Executioner’

Season 2 Episode 11 of The Walking Dead continued the same punctuated pacing that has characterized the season as a whole, but it works more effectively in this episode than it has in the past.  The moral dilemma of how to deal with prisoner Randall results in a discussion of ethics and what constitutes civilized behavior in an uncivilized world.  The episode’s message seems to be clear by the end, however…

SPOILERS BELOW.

As Dale, the voice of compassion, reason, and civil rights, the only one to speak out passionately and consistently against the execution of Randall, ends up dead.  Eaten, no less, by the same zombie who Carl failed to kill in the woods.  The question that the episode implies is how does the group function now, without Dale’s voice of dissent?  Will they fall down the slippery slope of safety over civility?  With only two episodes of the season left, we can expect to see the tension between Rick and Shane develop further.  My question is, how will it wrap up?  Will the group shatter?  Will they move on?  Who else won’t make it?

Final ‘Avengers’ Trailer

Squee.

The Rise of Post-Apocalyptic Young Adult Fiction

Lev Grossman has a short article on the growing field of post-apocalyptic and dystopian young adult science fiction in Time (and the modern requirement of love stories therein).  There’s a paywall, unfortunately, so you’ll have to subscribe or pick up a physical copy of the magazine.

Prometheus Viral Footage ‘Ted 2023′

Incredible.  More excited than ever about this film.  Does anyone else sense a Steve Jobs allusion here?

 

I’m not sure I completely understand the ongoing confusion (up until this video came out) about whether or not Prometheus is directly connected to the Alien universe/films.  It obviously is.  The Space Jockey, seen in the first trailer, is straight out of Alien.  The derelict ship is straight out Alien.  How is this movie not connected to Alien?

‘Leviathan Wakes’ Is Space Noir Awesome

James S.A. Corey’s Leviathan Wakes is a debut novel in name only (James S.A. Corey is the pen name of Daniel Abraham and Ty Franck; Abraham has authored two epic fantasy series and an urban fantasy series under yet another pen name, and Franck is the author of published short stories and assistant to George R.R. Martin), but it’s as impressive as any I’ve encountered.  Book one of a planned trilogy entitled The Expanse (with possible future books to follow if the series proves successful), Leviathan Wakes is a perfect harmony of genre: a strong main space opera theme supported by elements of noir fiction and horror.

Set a few hundred years in the future when humanity has colonized the solar system (but not the stars), the story follows two viewpoint characters (not counting those in the prologue and epilogue), Miller, a down at the heels detective from Ceres station (an asteroid space station in the asteroid belt), and Holden, the executive officer of a space freighter.  Corey wisely steals from George Martin (who stole in turn from William Faulkner) the narrative technique of structuring the novel in alternating viewpoint chapters titled with the corresponding viewpoint character’s name.

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Poll: Which Judge Dredd Looks Cooler?

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Hearing Karl Urban’s Judge Dredd voice today made me think about the upcoming Dredd film reboot (titled simply “Dredd”) for the first time.  And since we don’t know much more about the film than what the cast and crew have said about it and what can be gleaned from a few production photos, I focused on the look of Dredd himself.

My first impression was that I’m not sure I like the new costume better than the costume from the 1995 Sylvester Stallone film Judge Dredd.  I was 13 when the Stallone movie came out.  I loved it, critics be damned.  Looking back, I have a nostalgic, campy appreciation for it, but Karl Urban and company will be hard-pressed not to improve upon it.  On a totally superficial level, though, I can’t decide whether I like the new, more “realistic,” quasi-tactical look they’re going for with Dredd’s armor.  Stallone’s costume is hardly practical, but it seems truer to the character from the comics.  Also, is it just me or does Urban’s helmet make his head look too big in proportion to his body?

What do you think?  Which Dredd is cooler?

What If Episode I was Good?

From Belated Media, a hypothetical discussion of how The Phantom Menace could have been a good movie:

[Via io9]

Joe Abercrombie Discusses His Next Trilogy

In the inaugural episode of the Fantasy Faction podcast, Fantasy Faction’s Marc Aplin and Paul Wiseall interviewed Joe Abercrombie, author of the First Law trilogy, two stand-alone novels in that same universe, and the forthcoming A Red Country, the final stand-alone volume before Abercrombie writes another trilogy, presumably a large-scale follow-up to The First Law.  Abercrombie mentions the interview himself on his blog.

Details on the trilogy have been thin, in no small part because Abercrombie himself doesn’t seem to know exactly where he’s going with the story, but the author game some details to Fantasy Faction in the podcast interview that I hadn’t heard before.

Abercrombie told Aplin and Wiseall that the new trilogy will probably feature a “next generation of characters” taking the major roles.  A Red Country apparently picks up about fifteen years after the end of The First Law, and the new trilogy will start five or ten years after A Red Country, meaning we can expect the new trilogy to begin at least 20 years after the end of The First Law.  The main characters from The First Law will therefore become the older generation, and will most likely appear as secondary characters (though Abercrombie notes that this is subject to change).  Jezal Luthar, for example, will likely remain in the background as “the old king,” probably much as he has done in Best Served Cold and The Heroes.

The main plot will probably be a “political civil war style plot based around the Union.”

Aplin and Wiseall tried to push him a little bit toward revealing how likely it was that characters from The First Law would return in major roles, and Abercrombie took the opportunity to discuss the “fine line,” as an author, “between giving people what they want and being bored.”  He seemed in general ready to move on from focusing primarily on the First Law characters, ready to take the series in a new direction.  But he was also definitely aware of fans’ desire to see a return to characters they know and love.

When discussion finally turned to the elephant in the room — the question of when we will find out what happened to Logen Ninefingers and if and when we will see the Bloody-Nine again — Abercrombie responded predictably (and understandably; it’s not as if we really want him to spoil the surprise): he said that he really “can’t ever answer that question [in an interview]” and that fans who want to find out should keep buying his books.  There’s an implicit promise there, and one thing I think we can be certain about is that, one way or another, Logen’s story isn’t finished.  Otherwise it would be cruel and unusual punishment for Mr. Abercrombie to keep playing coy.

The Walking Dead: ‘Triggerfinger’

Last night’s Walking Dead episode, “Triggerfinger” (Season 2, Episode 9) was more of the same from our favorite angsty zombie drama: intense emoting by the characters, punctuated by brief, innocuous action, none of which particularly moves the plot forward.

There’s a lot of good story there, particularly with the Rick versus Shane tension coming to a head, but the pacing is just too slow to be completely engaging.

The stationary setting of the farm has only contributed to this plot stagnation.  Something has to happen, really happen, and soon.  Something big.  I have a feeling the producers saw an opportunity to expand an important but comparatively short portion of the original comics with this second season, drawing out something that was never intended to fill ten hours of television, even with the changes they’ve made (Shane’s continued existence at this point in the story is the biggest diversion from the comics).  The group should have been long gone from the farm by now, and on to their next adventure.

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